American education a history urban, wagoner

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The regions of the North and the West do not receive separate chapters, perhaps for several reasons; the most obvious being that much of early American education was shaped by Horace Mann and the common school movement, which originated in Massachusetts.

Thus, class, caste, and education within the plantation economy, which had long resisted formal schooling, garners distinct attention. Again, some minor updating is evident in this chapter, including the addition of more recent scholarship on African American schools in the urban South, the Rosenwald schools, and the legacy of the separate but equal policy determined by Plessy v. The second half of the textbook includes chapters on education in the 20th and 21st centuries. In Chapter Seven, much attention is devoted to the discussion of John Dewey and progressivism, one of the most influential and contested movements in education.

Susan B. Anthony, for example, began her career as a teacher. In addition to the robust discussion of women and teacher unions, the textbook might have emphasized the connection between education and the suffrage movement. The fight for suffrage laid the groundwork for female teachers to later advocate for the elimination of marriage bans and maternity rights. These issues are vital in a workforce that has been majority female since Horace Mann promoted the common school in the s and school districts needed a less expensive labor pool.

Thus, their narrative has extended as time progresses and new educational concerns arise. The text ends with discussion of contemporary issues focused largely on the increasing role of the federal government in educational policy. Do My Paper. Essay Help for Your Convenience. Any Deadline - Any Subject.

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Affordable Prices. Success Essays Features. FREE Formatting. FREE Title page. FREE Outline. The new building totals , square feet, replacing approximately , square feet of existing buildings. There will be approximately , square feet of gallery space, replacing approximately , square feet of gallery space.

How did you reduce the size of the new building from the size of the existing buildings? The reduction in total size from that of the existing buildings is made possible by moving functions not needed within the building itself: the museum has moved offices across the street, expanding our existing office space at Wilshire, and moved art storage out of Hancock Park.

By the time the new building opens, we will have expanded our total gallery space from approximately , in to , square feet. What is the budget for the new building? How is this new building being funded?

The County will receive a match for its contribution. How much has been raised? How much is the construction cost per square foot? The new building gives us the flexibility to display collection areas for longer periods or to present permanent collections as temporary exhibitions, giving visitors opportunities to see more art from the permanent collection in greater variety.

The new building has a lot of glass. Aren't museums supposed to avoid natural light? Thousands of works in our collection sculpture, tiles, ceramics, and more can be safely displayed in natural light, and are in fact wonderful to view in that setting. The new building will have a range of exhibition spaces, from galleries with natural light to galleries with controlled artificial lighting.

The majority of galleries in the new building are designed to be able to display light-sensitive works. Natural light and views to the park along the perimeter of the building also will reduce fatigue in our visitors. Why are the gallery walls concrete? Concrete was chosen to give the building a sublime aesthetic character and beautiful sense of gravitas.

Concrete walls have been utilized successfully in other museums like the Kimbell, the Guggenheim, and Kunsthaus Bregenz. Not one artist whose work was displayed at Bregenz has ever covered that museum's walls with sheetrock.

Additionally, many objects and antiquities in our collection originated in buildings or other settings built from stone, so it is particularly fitting to display them in concrete-walled galleries.

Will Urban Light be moved? Urban Light will stay in place and visitors will continue to be able to enjoy the artwork. County, enhancing the accessibility of our collections and bringing art and art education to communities throughout our vast county. What is the timeline for the new building? Construction began in